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Panthella 160 Portable Lamps in several colours sit on a wooden terrace against a brick façade. © 2026 Louis Poulsen.

Colourful Verner Panton

Verner Panton had been contemplating the idea for what eventually became the Panthella for quite some time. He spent hours and hours exploring the transparency and colours of the materials from which the lamp was constructed. Panton’s own favourite was the chrome version.

Panthella 160 Portable Lamps viewed from above in a grid of white, orange and gold reflections. © 2026 Louis Poulsen.

Not like the others

Verner Panton stood out from his peers with his distinct style, contrasting typical functionalist and often colourless Scandinavian design.
Unlike his contemporaries, Panton embraced vibrant colours in his work, including his lamps. Apart from his pendants, tables and floor lamps, Panton did not use white in his work.

A white Panthella 250 Table Lamp stands in a sculptural room of vivid orange and red. © 2026 Louis Poulsen.